This is the indoor pool – and the view – at the Varatojo House by Lisbon-based Atelier Data.
“We believe that each project is the ‘engine’ of its own investigation, allowing a critical, creative and innovative approach.” – Atelier Data
Details: Set on a hill overlooking the city of Torres Vedras, Portugal, the Varatojo House is on a polygonal configured plot. Here below is more from the architects:
DESIGN CONCEPT: The house is shaped by a spiral gesture intending to take advantage of the plot outline. We opted for the construction of a limit, a kind of line that gradually takes shape and thickness to accommodate the housing program.
This gesture starts with the ramped access to the lot and ends on the opposite side of the house, achieving at this point two-stories high, thereby the contour of the house also reinforced this “gesture in spiral”.
The adopted design strategy allowed us to create a living space on the site’s south side, protected from the strong Northern winds, which forced the existence of the main construction on the north side.
PROGRAM: From a functional standpoint, the program is distributed in three floors. The groundfloor centralizes most of the program.
There is located the common areas – kitchen, living room and dining room – constrained to a single and continuous open space, enhanced by the ceiling plan.
On the other hand, the rooms’ wing (with a much more restricted access) contains guest and children’s rooms, separated by a playing/studying room.
On the 1st floor is located the master bedroom with a deep balcony facing North, and on the South, there is a bathroom with a big window facing a small garden as its background.
Still on this floor there is a library, a mezzanine space over the living space.
On the lower floor the pool is the central space through where it is possible to connect with both north sights and south private garden, and also to enjoy the reflected landscape on the water.
MATERIAL OPTIONS: On one hand we opted for the use of traditional materials and coatings, as exemplified by the cementitious materials, plaster, timber and cork, and, on the other hand, we considered the reuse of railway sleepers within a distinct logic of its conventional use introducing some innovation and experimentation in the search for new possibilities of materials’ use.
Thus we suggest new interpretations from the current and traditional construction, through design but also through material options.
Source: Photos by Richard John Seymour.