In London I've had the chance to study by the side of very interesting people, too many to name them all, but here's a few. Eliza Axelson-Chidsey's Leather Diplomacy is a rare example of a production chain explicitly expressed in the object. I think it's great you can recognize local production "interventions" within the object's structure. Imagine a label: Made in the USA, Morocco and the UK. That's globalization for you.