The Glue Society has allowed a 25-ton excavator to use 300 tons of sand to bury itself. See the rest of the week at Art MoCo after the jump.

Alex McLeod's digital landscapes are most memorable for the balloon-like clouds that hover almost like ice cream over intricate imaginary worlds.



Are the girls slowly morphing into birds and animals (or even pianos) in recent pieces by Jennifer Davis?



The Glue Society is at it again: high impact work that makes the viewer feel his or her insignificance.



Nature attempts to reclaim some territory in new work by Josh Keyes.



Luis Fernando Ponce brings us products that won't go down the drain.


More at Art MoCo.