Who knew that electrical wires and lampposts could be so lyrical? Jill Simonsen's paintings suggest we look at things differently.

Lisa Breslow's NYC landscapes are so much softer than what we have come to expect of the real thing.

We've always heard that clowns are only putting on a happy face, and the group exhibition at the Corey Helford Gallery might well further attest to this.

LeMishka's work includes vague figures that only hint at what they are up to.

Amy Casey's houses reflect an uneasiness about the world around us.

More at Art MoCo.