I thoroughly enjoyed the second installment of Luxembourg-born nico, in which the content is twofold: interviews (approx. 2/3 of the mag) and fashion editorials. It's neat and straightforward, and with its uncoated paper, minimal advertising and clear two section split, it properly adopts the feels of a bi-annual publication rather than a magazine per se. This summer issue covers quite a number of inspiring designers and thinkers. Among them all, don't skip over the interview with Freedom of Creation's Janne Kytännen (p46-55), who explains business development with rapid prototyping's innumerable possibilities, FOC's key design and fabrication process. Texts are published in both English and French.
— Issue #2 (Summer 2008)

I was excited to see FRAME's thick new issue jacked under the studio door last week. It only comes 6 times a year, but every time I'm blown away by the curation of new and notable works, covering interiors and furniture on the international level like no other. The summer July/August issue, titled "Show & Sell," gives prominence to a gathering of shops which have been shaped and fine-tuned to showcase the displayed moco products in their best light - whether by historical, sculptural or even popular culture references. And to contrast with these marvelous yet out-of-this-world interior solutions, be sure to read the interview with down-to-earth French furniture designer Inga Sempé (p162-169): "Her utopia is the corner store or the DIY outlet". Refreshing!
— Issue #63 (July-August 2008)

And last but not least: evidently, as always, Wallpaper*'s current issue sweats so much moco it bleeds. Work is the topic for June and they're "defying the daily grind" the Wallpaper* way, a fun ride throughout the mag. I particularly enjoyed the signature photographic object design editorials — the Heavenly HQ spreads, where the ultimate workspace is portrayed, will lead to jaw-dropping (p176-187). Conversely, the overview of the current trend of young creatives (from musicians to architects) gathering and joining together to develop collectives or group work environments in which cooperation and collaboration strive (p126-132) certainly struck a chord.
— Issue #111 (June 2008)