Thick, textured oils are Allison Schulnik’s specialty, so thick that you can feel the beasts writhe on her canvas.

Work by Andreas Kocks leaps off the walls, but his paper Cannonball won’t get you wet.

Some would call it detention, but since 1965 Roman Opalka has been painting numbers in sequence, starting at 1.

Karin Kneffel’s oil paintings are luxurious visual accounts of interiors that are mirage-like…

and her watercolours, though just as densely coloured, are softer yet at the same time quite strong. SM

More at Art MoCo.